The Origins Of Wall Fountains
The Origins Of Wall Fountains The incredible construction of a fountain allows it to provide clean water or shoot water high into air for dramatic effect and it can also serve as an excellent design feature to complete your home. From the beginning, outdoor fountains were soley there to serve as functional elements. People in cities, towns and villages received their drinking water, as well as water to bathe and wash, from aqueducts or springs in the vicinity. Used until the nineteenth century, in order for fountains to flow or shoot up into the air, their origin of water such as reservoirs or aqueducts, had to be higher than the water fountain in order to benefit from gravity. Acting as an element of decoration and celebration, fountains also supplied clean, fresh drinking water. Bronze or stone masks of animals and heroes were frequently seen on Roman fountains. Throughout the Middle Ages, Muslim and Moorish garden planners incorporated fountains to create mini depictions of the gardens of paradise. To demonstrate his dominance over nature, French King Louis XIV included fountains in the Garden of Versailles. To mark the entryway of the restored Roman aqueducts, the Popes of the 17th and 18th centuries commissioned the construction of baroque style fountains in the spot where the aqueducts arrived in the city of Rome
Since indoor plumbing became the norm of the day for clean, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely decorative. The creation of unique water effects and the recycling of water were 2 things made possible by swapping gravity with mechanical pumps.
Modern-day fountains serve mostly as decoration for open spaces, to honor individuals or events, and enhance entertainment and recreational gatherings.
Gian Bernini's Outdoor Fountains
Gian Bernini's Outdoor Fountains There are many renowned water features in Rome’s city center. Practically all of them were planned, architected and built by one of the greatest sculptors and artists of the 17th century, Gian Lorenzo Bernini. Also a city designer, he had skills as a water fountain designer, and remnants of his life's work are obvious throughout the avenues of Rome. To fully reveal their skill, primarily in the form of community water features and water features, Bernini's father, a distinguished Florentine sculptor, mentored his young son, and they eventually moved in the City of Rome. The young Bernini was an exemplary worker and received praise and backing of significant painters as well as popes. He was initially renowned for his sculpture. Most particularly in the Vatican, he made use of a base of knowledge in ancient Greek architecture and melded it seamlessly with Roman marble. Though he was influenced by many, Michelangelo had the most serious impact on him, both personally and professionally.