The Various Construction Materials of Outdoor Fountains

The Various Construction Materials of Outdoor Fountains Most modern garden fountains come in metal, although various other types exist.

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Metallic versions offer clean lines and unique sculptural accents and can accommodate nearly any decorative style and budget. The interior design of your residence should set the look and feel of your yard and garden as well.

Today, a lot of people elect copper for their sculptural garden fountains. Copper fountains are the ideal option because they are perfect for the inside and outside. Copper is also adaptable enough that you can choose a range of styles for your fountain, from contemporary to whimsical.

Brass water fountains are also common, though they tend to have a more conventional look than copper ones. You will see a lot of brass fountains, as their interesting artwork makes them trendy even if they are on the more traditional side.

Probably the most modern of all metals is stainless steel. Adding a modern-looking steel design will immediately add value to your garden and enhance the overall atmosphere. Like all water fountains, you can buy them in just about any size you choose.

Fiberglass is a widely used material for fountains because you can get the look and feel of metal at a much lower price, and it is lighter and easier to move than metal. It is not complicated to clean and maintain a fiberglass water fountain, yet another reason they are common.

Contemporary Garden Decor: Large Outdoor Water Fountains and their Roots

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A water fountain is an architectural piece that pours water into a basin or jets it high into the air in order to supply drinkable water, as well as for decorative purposes.

From the beginning, outdoor fountains were soley meant to serve as functional elements. Inhabitants of urban areas, townships and small towns utilized them as a source of drinking water and a place to wash up, which meant that fountains had to be connected to nearby aqueduct or spring. Up to the late nineteenth century, water fountains had to be near an aqueduct or reservoir and more elevated than the fountain so that gravity could make the water flow downwards or jet high into the air. Acting as an element of adornment and celebration, fountains also generated clean, fresh drinking water. Roman fountains usually depicted images of animals or heroes made of metal or stone masks. To depict the gardens of paradise, Muslim and Moorish garden planners of the Middle Ages added fountains to their designs. King Louis XIV of France wanted to demonstrate his dominion over nature by including fountains in the Gardens of Versailles. To mark the entrance of the restored Roman aqueducts, the Popes of the 17th and 18th centuries commissioned the building of baroque style fountains in the spot where the aqueducts entered the city of Rome

Indoor plumbing became the main source of water by the end of the 19th century thereby limiting urban fountains to mere decorative elements. Fountains using mechanical pumps instead of gravity enabled fountains to provide recycled water into living spaces as well as create special water effects.

Modern-day fountains serve mostly as decoration for public spaces, to honor individuals or events, and compliment entertainment and recreational events.

Water Transport Solutions in Historic Rome

Water Transport Solutions in Historic Rome Aqua Anio Vetus, the first raised aqueduct built in Rome, began delivering the people living in the hills with water in 273 BC, even though they had depended on natural springs up until then. If residents living at higher elevations did not have access to springs or the aqueduct, they’d have to count on the remaining existing techniques of the time, cisterns that gathered rainwater from the sky and subterranean wells that received the water from under ground. From the beginning of the sixteenth century, water was routed to Pincian Hill through the underground channel of Acqua Vergine. Through its initial building and construction, pozzi (or manholes) were located at set intervals alongside the aqueduct’s channel. Whilst these manholes were created to make it much easier to preserve the aqueduct, it was also feasible to use buckets to remove water from the channel, which was practiced by Cardinal Marcello Crescenzi from the time he invested in the property in 1543 to his passing in 1552. The cistern he had constructed to collect rainwater wasn’t satisfactory to meet his water demands. That is when he decided to create an access point to the aqueduct that ran below his property.