The Source of Today's Fountains

The Source of Today's Fountains Pope Nicholas V, himself a learned man, ruled the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of old classical Greek documents into Latin. In order to make Rome worthy of being the capital of the Christian world, the Pope decided to enhance the beauty of the city. Beginning in 1453, the ruined ancient Roman aqueduct known as the Aqua Vergine which had brought clean drinking water into the city from eight miles away, underwent restoration at the behest of the Pope. The ancient Roman custom of building an imposing commemorative fountain at the location where an aqueduct arrived, also known as a mostra, was revived by Nicholas V. The architect Leon Battista Alberti was commissioned by the Pope to put up a wall fountain where we now see the Trevi Fountain. Modifications and extensions, included in the repaired aqueduct, eventually provided the Trevi Fountain and the well-known baroque fountains in the Piazza del Popolo and Piazza Navona with the necessary water supply.

Characteristics of Outdoor Statues in Archaic Greece

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Characteristics of Outdoor Statues in Archaic Greece The Archaic Greeks manufactured the very first freestanding statuary, an awesome achievement as most sculptures up until then had been reliefs cut into walls and pillars. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi, viewed as by the Greeks to exemplify beauty, had one foot extended out of a strict forward-facing pose and the male figurines were regularly nude, with a compelling, sturdy build. In around 650 BC, the varieties of the kouroi became life-sized. During the Archaic period, a big time of change, the Greeks were developing new forms of government, expressions of art, and a greater awareness of people and cultures outside Greece. But these disagreements did not prohibit the emergence of the Greek civilization. {

Rome’s Ingenious Water Transport Systems

Rome’s Ingenious Water Transport Systems Aqua Anio Vetus, the first raised aqueduct founded in Rome, started providing the men and women living in the hills with water in 273 BC, although they had counted on natural springs up until then. Outside of these aqueducts and springs, wells and rainwater-collecting cisterns were the sole techniques obtainable at the time to supply water to areas of higher elevation. Beginning in the sixteenth century, a brand new approach was introduced, using Acqua Vergine’s subterranean sections to supply water to Pincian Hill. The aqueduct’s channel was made available by pozzi, or manholes, that were situated along its length when it was initially constructed. The manholes made it less demanding to maintain the channel, but it was also possible to use buckets to pull water from the aqueduct, as we viewed with Cardinal Marcello Crescenzi when he possessed the property from 1543 to 1552, the year he died. The cistern he had constructed to collect rainwater wasn’t sufficient to meet his water demands. Through an opening to the aqueduct that flowed below his property, he was able to fulfill his water wants.

Do Pets Like Water Fountains?

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Do Pets Like Water Fountains? Be sure to take your pet into consideration when you are planning on installing a water feature. Your freestanding fountain may be seen as a big pool or a drinking pond by your canine. Your treasured pets will probably take well to a water element in your backyard. Think about the best spot to put your water feature if you do not want birds to use it as a bathing pond. Installing a birdbath in your yard is the optimal solution if you want to attract birds. Wall water fountains are great for indoor use as well if you want to sidestep these matters. Dentists’ and doctors’ practices as well as manor homes are just a few of the places where you can find these kinds of fountains.

Architectural Sculpture in Old Greece

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Sculptors ornamented the complex columns and archways with renderings of the gods until the period came to a close and more Greeks had begun to think of their theology as superstitious rather than sacred; at that instant, it grew to be more common for sculptors be compensated to show everyday individuals as well. Portraiture became widespread as well, and would be welcomed by the Romans when they conquered the Greeks, and quite often well-off families would commission a representation of their progenitors to be placed inside their grand familial burial tombs. Over the years of The Greek Classical period, a time of aesthetic development, the use of sculpture and many other art forms changed, so it is incorrect to say that the arts delivered just one purpose. Greek sculpture was a modern part of antiquity, whether the cause was religious fervor or visual satisfaction, and its contemporary quality might be what endears it to us today.