The Origins of Contemporary Wall Fountains
The Origins of Contemporary Wall Fountains Pope Nicholas V, himself a well educated man, ruled the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of old classic Greek documents into Latin. He undertook the beautification of Rome to make it into the model seat of the Christian world. At the behest of the Pope, the Aqua Vergine, a ruined aqueduct which had transported clean drinking water into Rome from eight miles away, was renovated starting in 1453. A mostra, a monumental commemorative fountain built by ancient Romans to mark the point of arrival of an aqueduct, was a custom which was restored by Nicholas V. The present-day location of the Trevi Fountain was previously occupied by a wall fountain commissioned by the Pope and built by the architect Leon Battista Alberti. The Trevi Fountain as well as the well-known baroque fountains located in the Piazza del Popolo and the Piazza Navona were eventually supplied with water from the altered aqueduct he had rebuilt.Builders of the First Outdoor Fountains
Builders of the First Outdoor Fountains Often serving as architects, sculptors, artists, engineers and highly educated scholars all in one, from the 16th to the late 18th century, fountain designers were multi-talented individuals, Throughout the Renaissance, Leonardo da Vinci illustrated the artist as an imaginative master, creator and scientific specialist. He carefully registered his examinations in his now celebrated notebooks about his research into the forces of nature and the attributes and movement of water. Coupling creativity with hydraulic and landscaping mastery, early Italian water feature engineers changed private villa settings into brilliant water displays loaded of symbolic implications and natural wonder. Known for his incredible skill in archeology, design and garden creations, Pirro Ligorio, the humanist, offered the vision behind the magnificence in Tivoli. Masterminding the phenomenal water marbles, water features and water pranks for the assorted properties in the vicinity of Florence, other fountain creators were well versed in humanistic themes and classical scientific texts.
Where did Landscape Fountains Originate from?
Where did Landscape Fountains Originate from? The incredible construction of a fountain allows it to provide clean water or shoot water high into air for dramatic effect and it can also serve as an excellent design feature to complement your home.
Pure practicality was the original purpose of fountains. Water fountains were connected to a spring or aqueduct to supply potable water as well as bathing water for cities, townships and villages. Used until the nineteenth century, in order for fountains to flow or shoot up into the air, their source of water such as reservoirs or aqueducts, had to be higher than the water fountain in order to benefit from the power of gravity. Fountains were an optimal source of water, and also served to adorn living areas and celebrate the designer. Animals or heroes made of bronze or stone masks were often utilized by Romans to beautify their fountains. To depict the gardens of paradise, Muslim and Moorish garden planners of the Middle Ages introduced fountains to their designs. To demonstrate his dominance over nature, French King Louis XIV included fountains in the Garden of Versailles. Seventeen and 18 century Popes sought to laud their positions by adding beautiful baroque-style fountains at the point where restored Roman aqueducts arrived into the city.
Indoor plumbing became the main source of water by the end of the 19th century thereby limiting urban fountains to mere decorative elements. Gravity was substituted by mechanical pumps in order to permit fountains to bring in clean water and allow for amazing water displays.
Modern-day fountains serve mostly as decoration for community spaces, to honor individuals or events, and compliment entertainment and recreational activities.
Attributes of Garden Statues in Archaic Greece
Attributes of Garden Statues in Archaic Greece The primitive Greeks developed the 1st freestanding statuary, an amazing achievement as most sculptures up until then had been reliefs cut into walls and pillars. Youthful, ideal male or female (kore) Greeks were the subject matter of most of the sculptures, or kouros figures. The kouroi were considered by the Greeks to embody beauty and were sculpted with one foot leading and an uncompromising stiffness to their forward-facing poses; the male statues were always strapping, brawny, and undressing. In around 650 BC, the differences of the kouroi became life-sized. Throughout the Archaic time, a big time of change, the Greeks were developing new forms of government, expressions of art, and a larger understanding of people and cultures outside Greece.
Similar to other moments of historical unrest, disputes were commonplace, and there were battles between city-states like The Arcadian wars, the Spartan invasion of Samos.