Cultural Statuary in Early Greece

Cultural Statuary in Early Greece Most sculptors were paid by the temples to enhance the elaborate columns and archways with renderings of the gods until the period came to a close and many Greeks started to think of their religion as superstitious rather than sacred, when it became more typical for sculptors to portray ordinary people as well. Portraiture, which would be accepted by the Romans upon their annexation of Greek society became conventional as well, and thriving families would often commission a rendering of their forebears to be situated in immense familial tombs. A time of artistic progression, the use of sculpture and other art forms transformed through the Greek Classical period, so it is inaccurate to say that the arts served only one function. Whether to satisfy a visual yearning or to celebrate the figures of religion, Greek sculpture was actually an imaginative practice in the ancient world, which may be what attracts our interest today.

The Original Outdoor Water Feature Artists

The Original Outdoor Water Feature Artists Fountain designers were multi-talented individuals from the 16th to the late 18th century, often working as architects, sculptors, artists, engineers and cultivated scholars all in one person. Exemplifying the Renaissance artist as a creative master, Leonardo da Vinci performed as an inventor and scientific specialist. The forces of nature led him to research the qualities and movement of water, and due to his curiosity, he systematically captured his experiences in his now famed notebooks. Original Outdoor Water Feature Artists 48970736025.jpg

Original Outdoor Water Feature Artists 48970736025.jpg

Transforming private villa configurations into amazing water exhibits packed with symbolic meaning and natural beauty, early Italian water fountain creators fused resourcefulness with hydraulic and gardening expertise. The humanist Pirro Ligorio, celebrated for his virtuosity in archeology, architecture and garden design, delivered the vision behind the wonders in Tivoli. Well versed in humanistic themes as well as classical scientific readings, some other water fountain creators were masterminding the extraordinary water marbles, water properties and water antics for the countless properties around Florence.

Water Transport Strategies in Historic Rome

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Water Transport Strategies in Historic Rome With the development of the first elevated aqueduct in Rome, the Aqua Anio Vetus in 273 BC, people who lived on the city’s hillsides no longer had to be dependent solely on naturally-occurring spring water for their needs. When aqueducts or springs weren’t accessible, people dwelling at higher elevations turned to water drawn from underground or rainwater, which was made available by wells and cisterns. From the early sixteenth century, water was routed to Pincian Hill via the underground channel of Acqua Vergine. Spanning the length of the aqueduct’s passage were pozzi, or manholes, that gave entry. Whilst these manholes were created to make it easier to protect the aqueduct, it was also feasible to use buckets to remove water from the channel, which was practiced by Cardinal Marcello Crescenzi from the time he obtained the property in 1543 to his passing in 1552. He didn’t get adequate water from the cistern that he had established on his residential property to gather rainwater. That is when he made the decision to create an access point to the aqueduct that ran under his property.