Outdoor Fountain Engineers Through History

Outdoor Fountain Engineers Through History Often serving as architects, sculptors, artists, engineers and highly educated scholars all in one, from the 16th to the late 18th century, fountain designers were multi-faceted individuals, Leonardo da Vinci, a Renaissance artist, was celebrated as an ingenious genius, inventor and scientific virtuoso. He systematically documented his observations in his now famed notebooks about his studies into the forces of nature and the attributes and mobility of water. Remodeling private villa configurations into innovative water showcases full of symbolic meaning and natural beauty, early Italian fountain creators paired curiosity with hydraulic and horticultural knowledge. Known for his virtuosity in archeology, design and garden creations, Pirro Ligorio, the humanist, provided the vision behind the wonders in Tivoli. Masterminding the fascinating water marbles, water attributes and water jokes for the assorted estates in the vicinity of Florence, some other water feature creators were well versed in humanist issues and time-honored scientific texts.

The Early, Unappreciated Water-Moving Solution

The Early, Unappreciated Water-Moving Solution In 1588, Agrippa’s water-lifting innovation lured the attention and compliments of Andrea Bacci but that turned out to be one of the last references of the gadget. It could be that the Acqua Felice, the second of Rome’s initial modern conduits made the device outdated when it was hooked up to the Villa Medici in 1592.Early, Unappreciated Water-Moving Solution 5955337674.jpg The more plausible conclusion is that the system was abandoned when Franceso di Medici, Ferdinando’s brotherdied in 1588, leading him to give up his rank as cardinal and return to Florence where he accepted the throne as the Grand Duke of Tuscany. There may have been other spectacular water-related works in Renaissance landscapes in the later part of the sixteenth century, just like fountains which played tunes, water caprices (or giochi d’acqua) and even scenographic water exhibits, but none of them was powered by water which defied the force of gravity.
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