The Circulation of Outdoor Garden Fountain Manufacturing Knowledge in Europe
The Circulation of Outdoor Garden Fountain Manufacturing Knowledge in Europe
The circulated reports and illustrated pamphlets of the day contributed to the advancements of scientific technology, and were the chief means of transmitting useful hydraulic information and water feature ideas throughout Europe. In the late 1500's, a French water feature designer (whose name has been lost) was the internationally distinguished hydraulics pioneer. With Royal commissions in Brussels, London and Germany, he started his career in Italy, developing expertise in garden design and grottoes with incorporated and imaginative water hydraulics. The book, “The Principles of Moving Forces,” authored towards the end of his lifetime in France, turned out to be the fundamental text on hydraulic mechanics and engineering. The publication updated key hydraulic advancements since classical antiquity as well as explaining modern hydraulic technologies. The water screw, a technical means to move water, and devised by Archimedes, was featured in the book. Sunlight warming water in two vessels unseen in a room adjacent to an ornamental water fountain was presented in one illustration. The hot liquid expands and then rises and shuts the water pipes consequently triggering the water fountain. Pumps, water wheels, water attributes and backyard pond designs are included in the book.
Agrippa’s Splendid Water-lifting Machine
Agrippa’s Splendid Water-lifting Machine Unfortunately, Agrippa’s amazing plan for raising water was not referred to a great deal following 1588, when Andrea Bacci applauded it publicly. It could perhaps be that in 1592 when Rome’s latest channel, the Acqua Felice, started providing the Villa Medici, there was no longer very much usage for the system. This is all the more tragic bearing in mind how impressive Camillo Agrippa’s device was, entirely singular in Italy during the hundreds of years which transpired between the decline of ancient Rome and the contemporary era.
There might have been other significant water-related works in Renaissance gardens in the late sixteenth century, like fountains which played tunes, water caprices (or giochi d’acqua) and even scenographic water presentations, but nothing were powered by water which defied the force of gravity.
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