The Origins of Modern Outdoor Wall Fountains
The Origins of Modern Outdoor Wall Fountains Pope Nicholas V, himself a learned man, ruled the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of old classic Greek documents into Latin.
The Early, Largely Ignored, Water-Moving System
The Early, Largely Ignored, Water-Moving System Though the mechanism created by Agrippa for moving water gained the admiration of Andrea Bacci in 1588, it seemed to disappear not very long thereafter. It may possibly have come to be dated once the Villa Medici was able to get water from the Acqua Felice, the early modern channel, in 1592. Though its glory was passing, Camillo Agrippa’s layout for lifting water was the marvel of its day, exceeding everything built in Italy since the days of early Rome. Renaissance gardens of the later part of the sixteenth century happened to be home to works like melodious fountains, scenographic water displays and water caprices (giochi d’acqua), but these were not filled with water in ways that went against the force of gravity itself.How Fountains can be Good for the Environment
How Fountains can be Good for the Environment
Running water fountains will lead to a spike in your electric bill. Even though you might not instantly notice the short-term benefits, remember that your residence will certainly gain in value in the long-run.
Higher bills is not the only problem with using more electricity, the environment takes a big hit as well. Solar powered water fountains are a good option to becoming “green”. Using solar power to run a water feature is not only favorable to our environment but it also heats and cools our homes.
Less maintenance is a benefit of adding this kind of fountain. Since solar fountains don't have motors, they don't get clogged which leads to little cleaning. And less cleaning means more time to play!
Classic Greece: The Roots of Outdoor Statue Design
Classic Greece: The Roots of Outdoor Statue Design Traditionally, the vast majority of sculptors were paid by the temples to adorn the involved pillars and archways with renderings of the gods, but as the era came to a close it became more common for sculptors to portray regular people as well simply because many Greeks had begun to think of their institution as superstitious rather than sacred. Wealthy individuals would occasionally commission a rendition of their ancestors for their large family burial tombs; portraiture also became common and would be appropriated by the Romans upon their acquisition of Greek society.