"Old School" Water Feature Manufacturers

"Old School" Water Feature Manufacturers Commonly serving as architects, sculptors, artists, engineers and discerning scholars, all in one, fountain designers were multi-faceted individuals from the 16th to the later part of the 18th century.

Exemplifying the Renaissance skilled artist as a innovative genius, Leonardo da Vinci toiled as an innovator and scientific guru. The forces of nature led him to investigate the qualities and motion of water, and due to his fascination, he carefully captured his experiences in his now renowned notebooks. Brilliant water exhibits loaded with symbolic significance and all-natural beauty transformed private villa settings when early Italian fountain designers coupled imagination with hydraulic and gardening skill. The humanist Pirro Ligorio offered the vision behind the splendors in Tivoli and was distinguished for his virtuosity in archeology, architecture and garden design. Masterminding the extraordinary water marbles, water attributes and water jokes for the various mansions in the vicinity of Florence, other water fountain designers were well versed in humanist issues and ancient scientific texts.

Water Transport Solutions in Historic Rome

Water Transport Solutions in Historic Rome Water Transport Solutions Historic Rome 8929775422653.jpg

Previous to 273, when the first elevated aqueduct, Aqua Anio Vetus, was built in Roma, residents who dwelled on hills had to travel further down to gather their water from natural sources. During this time period, there were only 2 other systems capable of supplying water to elevated areas, subterranean wells and cisterns, which gathered rainwater. From the beginning of the sixteenth century, water was routed to Pincian Hill via the underground channel of Acqua Vergine. During its initial construction, pozzi (or manholes) were added at set intervals along the aqueduct’s channel. Even though they were originally manufactured to make it possible to support the aqueduct, Cardinal Marcello Crescenzi began using the manholes to collect water from the channel, commencing when he acquired the property in 1543. He didn’t get an adequate amount water from the cistern that he had established on his property to collect rainwater. That is when he decided to create an access point to the aqueduct that ran under his residence.

The Godfather Of Roman Garden Fountains

The Godfather Of Roman Garden Fountains In Rome’s city center, there are countless famous public fountains. One of the finest sculptors and artists of the 17th century, virtually all of them were planned, conceived and constructed by Gian Lorenzo Bernini. His skills as a fountain creator and also as a city designer, are observable throughout the streets of Rome. A famous Florentine sculptor, Bernini's father mentored his young son, and they eventually went to Rome to fully exhibit their art, mainly in the form of public water fountains and water features. The young Bernini received compliments from Popes and influential artists alike, and was an excellent employee. At the beginning he was known for his sculptural expertise. Most notably in the Vatican, he utilized a base of experience in historical Greek architecture and melded it effortlessly with Roman marble. Though a variety of artists impacted his artistic endeavors, Michelangelo influenced him the most.

Classic Greece: The Inception of Garden Statue Design

Classic Greece: The Inception of Garden Statue Design A good number of sculptors were paid by the temples to accentuate the elaborate pillars and archways with renderings of the gods right up until the period came to a close and many Greeks began to think of their religion as superstitious rather than sacred, when it became more common for sculptors to represent everyday men and women as well. Affluent families would often times commission a rendering of their ancestors for their big familial tombs; portraiture additionally became prevalent and would be appropriated by the Romans upon their acquisition of Greek civilization. During the the years of The Greek Classical period, a time of visual progress, the use of sculpture and other art forms transformed, so it is erroneous to think that the arts delivered merely one purpose. It could be the modern quality of Greek sculpture that grabs our attention today; it was on a leading-edge practice of the ancient world whether it was established for religious reasons or artistic pleasure.