Architectural Statuary in Historic Greece
Architectural Statuary in Historic Greece Most sculptors were paid by the temples to adorn the intricate columns and archways with renderings of the gods until the stage came to a close and many Greeks started to think of their religion as superstitious rather than sacred, when it became more typical for sculptors to portray everyday people as well. Wealthy individuals would sometimes commission a rendering of their forefathers for their large familial burial tombs; portraiture also became common and would be appropriated by the Romans upon their acquisition of Greek society. A point of aesthetic enhancement, the use of sculpture and other art forms transformed throughout the Greek Classical period, so it is not entirely accurate to assume that the arts served only one function.
"Primitive" Greek Art: Outdoor Statuary
"Primitive" Greek Art: Outdoor Statuary The first freestanding statuary was developed by the Archaic Greeks, a distinguished success since until then the only carvings in existence were reliefs cut into walls and columns. For the most part the statues, or kouros figures, were of young and attractive male or female (kore) Greeks. Symbolizing beauty to the Greeks, the kouroi were designed to appear rigid and typically had foot forward; the males were vigorous, strong, and nude. Life-sized versions of the kouroi appeared beginning in 650 BC. During the Archaic time, a great time of change, the Greeks were evolving new forms of government, expressions of art, and a deeper understanding of people and cultures outside Greece. The Arcadian conflicts, the Spartan penetration of Samos, and other wars between city-states are examples of the kinds of battles that occurred commonly, which is consistent with other times of historical transformation.The Godfather Of Roman Fountains
The Godfather Of Roman Fountains There are many famous Roman fountains in its city center. One of the greatest sculptors and artists of the 17th century, almost all of them were designed, conceptualized and built by Gian Lorenzo Bernini. His expertise as a fountain developer and also as a city architect, are observable all through the avenues of Rome. To completely reveal their art, chiefly in the form of public water features and water fountains, Bernini's father, a renowned Florentine sculptor, mentored his young son, and they ultimately moved in the City of Rome.
Early Water Delivery Techniques in Rome
Early Water Delivery Techniques in Rome Previous to 273, when the very first elevated aqueduct, Aqua Anio Vetus, was made in Rome, residents who lived on hillsides had to travel even further down to gather their water from natural sources. Outside of these aqueducts and springs, wells and rainwater-collecting cisterns were the sole technologies readily available at the time to supply water to spots of high elevation. Starting in the sixteenth century, a unique program was introduced, using Acqua Vergine’s subterranean segments to supply water to Pincian Hill. The aqueduct’s channel was made available by pozzi, or manholes, that were installed along its length when it was initially designed. Though they were initially manufactured to make it possible to support the aqueduct, Cardinal Marcello Crescenzi began using the manholes to get water from the channel, starting when he bought the property in 1543. Apparently, the rainwater cistern on his property wasn’t sufficient to meet his needs.